What the Art World Needs:
A Dozen Moses

by S. R. Barrett
as taken from Dallas&Fort Worth Home Living - December 1998

Dale Moses probably doesn't know you. But if you enter his tiny Tudor gallery, sculpted by a dainty English garden, he'll treat you like a long-lost dear relative who’s just walked through the door. His urgent handshake and spellbinding violet blue eyes are disarming. Bernie, his 15-year-old Schnoodle, might pull on your pant leg while Moses ushers you into his vintage-chic studio, where you'll find contemporary works. He'll hand you a price list and let you roam a series of five rooms. He can be hands-off and hands-on at the same time in a no-nonsense kind of way that puts guests at ease. If you need his help, he's there in a second. Like a seasoned Southern-host, he likes to make sure everyone is operating on a first-name basis. That's why the artist picked the busy corner of Cedar Springs and Wycliff to locate his gallery. He's counting on the happenstance that should result when more than 200,000 people drive by your business everyday.

Those who do venture into this atypical gallery setting seem to become regulars. In addition to making art accessible, Moses keeps it affordable.

For a regimented painter, who devotes one full day each week to his craft, and an entrepreneur with a keen eye for talent, Moses doesn't like to wax philosophical. Theory? "I don't have one," he quips comfortably from a black leather ‘50s chair in his entry parlor. "I paint what I like."

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